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From Weeds We Grow: Restoration of Relationship

A STEPS COMMUNITY ART TORONTO PROJECT

Restoration of Relationship is a project as part of the 2021 and 2022 From Weeds We Grow program, that features a Water Teaching by Kanate’hson, Elder Renee Thomas-Hill and two in-person beading circles on the banks of the Humber River led by Lindsey Lickers, Mushkiiki Nibi Kwe (Medicine Water Woman).

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Project at a Glance

Gä•sweñta’: Two Row Wampum

Contributing to the Bundle

About the Facilitators

Project Partners and Funders

Project at a Glance

Location: Rowntree Mills Park, Humber Summit, Toronto

Artist: Lindsey Lickers, Mushkiiki Nibi Kwe

Year: 2021, 2022

Project Photographer/Videographer: Mila Bright, Samantha Beltran

Services: Artist Capacity Building, Creative Placemaking

37

workshop participants

35

one-of-a-kind handcrafted beadworks

5

in-park beading and sharing circles

1

water teachings session

1

collective community tapestry

Gä•sweñta’: Two Row Wampum

As part of 2022 From Weeds We Grow programming, Restoration of Relationship returned for its second year with a focus on ‘Gä•sweñta’, more commonly known as Two Row Wampum’. The ‘Gä•sweñta’ is a living treaty originally assumed by the Haudenosaunee and the Dutch, that has become a symbol of reconciliation for many.  This Beading Circle was an interdisciplinary arts workshop that explored the ‘Two Row Wampum’ living treaty and our connections to the environment through the beaded artworks.

Led by Artist Lindsey Lickers, Mushkiiki Nibi Kwe (Medicine Water Woman), this arts workshop took place in Rowntree Mills Park where it created a space for 18 participants to be a part of a reflective and creative exercise to dive deeper into their current relationships themselves and the land as treaty people. Filled with sunshine and the lush surroundings of the park, the community formed a beading circle where they discussed the significance of the Two Row Wampum and how they implement the values of this treaty into their daily lives, with the day culminating with the creation of a beaded pin. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Contributing to the bundle

In October of 2021, community members gathered with artist Lindsey Lickers, Mushkiiki Nibi Kwe for the first iteration of Restoration of Relationship: Contributing to the Bundle. This exploration of nature and our connections to water consisted of four project components: A Water Teaching Session led by Kanate’hson, Elder Renee Thomas-Hill, a participatory beading circle led by Lindsey, and two exhibits to showcase the resulting beadwork by workshop participants: a virtual gallery on the STEPS website, and an in-person exhibit of the collective community tapestry at Albion Public Library. In collaboration with Ontario Culture Days, this project was part of this year’s Ontario Culture Days Festival.

The beading workshop took place along the Humber River in Rowntree Mills Park, where they reflected on their individual relationships with the environment and explored the importance of our local waterways. These reflections, combined with the Water Teachings shared by elder Renee Thomas-Hill, inspired the creation of personalized beaded artworks. 

Artist Lindsey Lickers sitting on the grass with a picnic blanket, she is working on a beaded artwork. There is grass, foliage, a tree trunk and bridge behind her.
photo of a participant working on a beaded artwork, sitting on a blue picnic blanket. There are bags and trays with beads, a bench and table behind them
Photo of two people sitting at a picnic table working on their beaded artworks. The background has a grass, tables and other participants sitting on picnic blankets
Photo of a person sitting on a grey blanket on the grass, working on their beaded artwork. There are items scattered around them, and other participants in the background sitting at picnic tables or blankets.
Photo of two people sitting at a picnic table working on their beaded artworks. The background has a grass, tables and other participants sitting on picnic blankets
Photo of a woman beading artwork, she is sitting on a blue & red picnic blanket. There are bags, shoes and other items scattered on the grass. Other folks are in the background working on their beaded artworks.
Photo of the Restoration of Relationship beading workshop, participants are sitting distant on their own picnic blankets on the grass. In the background there is foliages, trees and a bridge.
Photo of three community members sitting on a blue & red plaid picnic blanket sharing food. In the background, there is a person sitting on a bench and people walking on the grass.
Along with the material kits provided to each participant, Lindsey prepared a beading demo to share the basics of beading.
“Beading is so much more than a decorative craft. For many Indigenous nations, beadwork has acted as an extension of language, helping us to interpret our surroundings, visually encapsulating treaties, continually guiding us to remember our original instructions. It is a grounding medicine that encourages presence, reflection and connection. It asks us to be mindful of our relationships. To others, to the land and maybe most importantly, to ourselves. For without balance within, we cannot create – restore – renew relationship(s) around us.”

– Lindsey Lickers, Mushkiiki Nibi Kwe, Artist Facilitator

WATER teachings

Community members came together in a virtual space for an evening of teachings about the significance of water, led by artist Lindsey Lickers, Mushkiiki Nibi Kwe and Kanate’hson, Elder Renee Thomas-Hill. Participants were immersed in teachings on how to care for water to help shape our connections and commitments to the land.

“The water is that sacred gift, it is your birthplace, it is home. It is the birthing of all and so, when I take this water or when I travel I always speak to the water first… I say hello. I always speak to my river when I go by and I let the river know that I admire that journey that it’s taking. And so I know the water thanks me, because I get a lot of good blessings – I get a nice fragrance of the rain, of the flower, of the earth – it’s like gratitude.”

– Kanate’hson, Elder Renee Thomas-Hill

Listen to the Recording
Download the Transcript

Explore the virtual exhibit below by hovering over the gallery images and clicking the arrows to view each participant’s work!

Emily Chan

“I come from a family who saves vegetable seeds to grow our own. I grew up learning to reuse the water that we rinse vegetables with to wash dishes, or water the garden. This piece expresses my Chinese Canadian family’s love and respect for the relationship between water and all living things, including the leafy greens we grow.”
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Wisebird by Pragya

 

“A wise old owl lived in an oak;

The more he saw the less he spoke;

The less he spoke the more he heard:

Why can’t we all be like that bird?”

“The owl in this nursery rhyme is believed to be a symbol of wisdom. For me, Owl is wisdom, intuition, independent thinking, and observant listening.”

Fins & Waves by Sarah Crossley

“I thought about the connection between the earth and aquatic life and how important the connection of those things are to humans.”
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Fish in the Water by Bina Israni

Maria-Elena Martoglio

“This was the first time I tried bead work and I enjoyed the process very much. The serene setting of the park plus the patience and knowledge of our wonderful teacher, Lindsey Lickers, was of most value. 

My piece is a reflection on the theme, water. Challenging as it was to create curves for a first project, I was intrigued to explore the fluidity of this element.”

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Riversong by Richa Baghel

“My bead work reflects the relationship between me and the river, people and the river. The river close to me is humber, and I feel it is a blessing to have a river right in the middle of the city. By the river side there are flowers, butterflies, trees and many paths to explore. In Indian tradition the river is considered mother as she gives us life. Women are the water keepers in Canadian Native tradition. We are 70 percent water, therefore it’s important to keep our water sources protected and clean. River calls us to walk by – listen to her song and embrace the wilderness.”

The Little Cat by Arus

Boonakajian - Anchor in Ojibwe by Lena

“This piece is a representation of courage amidst the sudden changes into one’s current state in life. The water appears disruptive and turbulent from its once calm state prior to the plunging of the anchor. The water in this state represents movement, flow, and multi-direction. The anchor represents a form of “groundedness”.Its weight represents a “deep knowing” that you will be unaffected by the turbulence of the current moment that surrounds you, if you have the courage to stand unwavering in your own personal truth and connected to your inner well being. 

There is great courage in taking a plunge forward into stillness or the unknown. There is also great courage to be able to stay true to yourself during times of turbulence. It takes courage to have hope that life- like water, will always ebb and flow in your favor…if only you have the courage…”

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Albion Exhibit

Following the beading circle, workshop participants submitted their completed beaded artworks for inclusion in an in-person exhibit at Albion Library. The pieces were stitched together and displayed as a collective community tapestry, reflecting the shared teachings and commitment to deepening relationships with the environment and local waterways.

“It felt like magic was in the air, and if not that, then the good spirits were amongst us… Lindsay’s instruction was informative and her presence wise. I really appreciated the ceremonial aspect and I think this allowed for all of us (a very unique and diverse group of individuals) to gather harmoniously for an exquisite craft activity.”

– Workshop Participant

Photo of collective tapestry of beaded artworks at Albion Library.
ABOUT the facilitators
Kanate’hson, Elder Renee Thomas-Hill

Kanate’hson, Elder Renee Thomas-Hill

Water Teachings Facilitator

Kanate’hson, Elder Renee Thomas-Hill was born into the Haudenosaunee Confederacy of the Grand River Territory. She honours her lineage, Mother – Cayuga Bear and that of her Father – Mohawk Turtle. As a Haudenosaunee woman, her role in life is a Carrier of our Heritage. 

Lindsey Lickers, Mushkiiki Nibi Kwe

Lindsey Lickers, Mushkiiki Nibi Kwe

Beading Workshop Facilitator

Lindsey Lickers, Mushkiiki Nibi (Medicine Water), is Turtle Clan originally from Six Nations of the Grand River, with matriarchal ties to the Mississauga’s of Credit First Nation. She has been a practicing artist specializing in painting, beading and community arts facilitation going on fifteen years. In 2019, Lindsey was awarded an International Women’s Day Award (City of Toronto) recognizing her unique synthesis of public art, Indigenous women’s issues and governance.

@mushkiiki_water
lindseylickers.ca

Learn More About From Weeds We Grow
Creating a Caring Vessel Exhibit
From Weeds We Grow 2020
From Weeds We Grow Web App
From Weeds We Grow IG Highlights

Acknowledgements and Project Partners

From Weeds We Grow is part of the Arts in the Parks program. It has been made possible through generous support from Arts in the Parks, Toronto Arts Foundation, Toronto Arts Council funded by the City of Toronto, Canada Council for the Arts, and funding provided by the Ontario Government.
We extend our thanks to Ontario Culture Days for their partnership as part of their 2021 programming.
Logo banner with logos from Arts in the Parks, Toronto Arts Council, Toronto Arts Foundation, Rexdale Community Hub, Toronto Public Library, Government of Ontario, Government of Canada, Canada Council for the Arts, Ontario Culture Days and Park People.

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